Things To Know About A Wedding Photographer From Hampshire

photographer from Hertfordshire  You need to know for sure if the wedding photographer from Hampshire that you are planning to hire has a really strong background on post production and editing in general. Post production has the power to fix blurry photos, red eye, and all of the other possible shooting errors on the end of the photographer while at the same time, improving shots and making them come out looking better in the form of photo effects and the like. Without post production working things out for the wedding photographer in the background, you might as well end up with amateur looking photos.

Must have the skills and expertise

You need to ensure that the wedding photographer of your choice has this technical skill and background working out for him one way or the other in order for you as a client to get the best possible shots of your wedding at the end of the day. The thing about post production is that it is not an easy process to have to go through with. Wedding photographers usually take years before they have a chance of mastering this skill and it is very tedious and time consuming. A wedding photographer needs to have that attention to detail and impeccable technique in order for him to have any chance of getting things worked out and checked out the right way at the end of the day and this is not an easy feat to have to go through with after all has been said and done.

Prices must be reasonable

The price for his services will always be a bit on the high end but it should be reasonable and at par with the rest of the rates in the Hampshire area nonetheless. It already goes without saying that the professional services of a wedding photographer will not come cheap and this is something that you will have to accept somewhere in the process. The thing is though; you need to make sure that you really are getting your money’s worth out of his services. Take a closer look at the service inclusions in the wedding photography package that is being offered out to you at the end of the day. make sure that you compare the packages of the different wedding photographers that you are considering for the job or for the post and make sure that you weigh things accordingly before you get to the point wherein you are already making a decision on who to hire based on the info that you are able to glean out of analyzing what they are offering out to you in the first place. Don’t be lazy and just pick people randomly. You will be missing out on some truly interesting add ons and services if you don’t take the time to really analyze the wedding photography packages that are being set out on your table at the end of the day.

Everything should be planned out down to a T when you are looking for a wedding photographer from Hampshire so make sure that you spend time to really get with him and to really talk things out with him when it all comes down to it.

Things To Look At When Booking A Wedding Photographer

Look at photography style

wedding photographer from SurreyYou need to take a look at the overall photography style or go-to preference of this wedding photographer that you have plans on hiring somewhere in the process. It is something that more or less needs to be in line with what you are trying to do or pull off in the first place. The photography style of the photographer should be in line with the kind of theme that you are trying to pull off or get into for the wedding and that’s really the main thing when it all comes down to it. Try to decide early on what you would like to get so that you can use this as a filter on the different wedding photographers that you are taking a look at.

These wedding photographers can easily be categorized based off of their photography styles and this is the type of thing that you can determine when you are looking at examples of their previous works at the end of the day. When you already know what you should be looking for in the first place, it makes things far easier to go through with and it makes the aspect of looking for a wedding photographer far easier to achieve at the end of the day.

Assess portfolio

Every potential client should also have time or make time to really review and assess the portfolio of the wedding photographer that he or she is considering for the job. The portfolio can show you a glimpse into what this wedding photographer from Surrey can do, how he works, what his post production strategies will turn out to be, and so on and so forth. Without a proper review of a photographer’s portfolio, there is no way for you to know for sure if he will be suitable for the job in the first place so try to take this into account as much as you possibly can and try to get things checked out the right way by starting off with the portfolio before you go to the rest of the details that you need to review and scrutinize in a wedding photographer’s proposal.

Check equipment

A professional wedding photographer will never really fully be the professional that he aspires to be if he doesn’t happen to have anything backing him up in terms of his equipment. Try to see if this is the type of thing that you will be able to take into account one way or the other because a great photographer needs to at least be able to shoot in RAW format and needs to at least have 1 backup for his camera and for the rest of the equipment that he will be needing during the main Surrey wedding photography coverage and shoot. Backups are pretty great to have in such a way wherein you wouldn’t have to worry if he accidentally trips over a wire or anything like that because you know that he will still be able to keep up with the coverage because of something extra that he has on the side.

Looking For a Wedding Photographer In Cornwall?

wedding photography in CornwallAs someone who is about to get married in Cornwall and who is making all of the right preparations needed for the wedding, you are probably pretty nervous about the amount of tasks and processes that you need to set up in order to make sure that everything will pan out exactly according to plan. Even if this might turn out to be one of the hardest things that you will ever end up doing all throughout your life, this is still the kind of thing that you will be able to set up the right way when it all comes down to it. It really isn’t as crazy or as confusing as it might first sound. All you need to do is make sure that you are able to take things a step at a time as you go along. Wedding photography is something that will turn out to be a really crucial part of your wedding preparation process so get this taken into account when you are more or less considering the options that you have at hand. Here are some basic elements that you need to take in mind when you are getting things up to speed on the wedding photography side of things.

Get yourself settled down with a photography style of your choose.

There aren’t a whole lot of things for you to choose from so all that you need to do is to make sure that you actually get things looked at before you go ahead and make your choice at any point in time. The main styles in wedding photography are documentary and traditional. Documentary wedding photography is something that is creative and adventurous and if you are willing to try something that is carefree or something that is free flowing and the like. Traditional wedding photography, on the other hand, is something that is a little more fixed and posed. Although the composition may be a little more contrived, they technically still make for really beautiful looking compositions. Whatever you might want to opt for as a bride for your wedding photography coverage, just make sure that you use that as a basis for how you will be booking or choosing the wedding photographer of your choice. Choose someone who specializes in the photography style that you would like to get in order to have things working out in your favor at the end of the day.

Research on the top wedding photographers in the area.

Take your short list of options out from that said list as much as possible. When you go for the best of the best that the wedding photography industry can offer out to you in your local area, you are bound to get the best coverage for the wedding as well. Check out the profile of http://www.weddingphotographyincornwall.co.uk/ if you would like to get a head start one way or the other. They are the top wedding photographers in the Cornwall area and they can really bring something to the table at the end of the day.

What To Ask From A Photo Booth Hire London

London photo boothWhen looking for a London photo booth for the event that you are planning out at some point or so, it’s important that you give yourself a little bit of time to more or less get things done or get them checked out the right way when it all comes down to it. You need to know for a fact that you have all of the right things going for you and for the service that you are trying to hire out. These things will take time so if you hold out and wait until the very last minute before you start looking your options up one way or the other, you will end up being pressured for time and you might not have the best option that you could possibly go with or go for at the end of the day.

You need to know for sure that the London photo booth service that you are about to officially hire for your event will turn out to be the best option that you have in the market out there. Take the time to really sit down and go ahead and assess your options when it all comes down to it so that you don’t miss out on all of the possible opportunities that are being opened up to you as a client.

Ask about not only the service inclusions that the photo booth hire London service can offer out to you but the products as well.

Aside from the usual photos that are printed out and handed out to the guests, the operator should also be able to more or less give you a bit of a leeway in terms of the other inclusions such as a possible photo booth guest book that will catalog all of the photos that were taken during the event. This usually comes in two ways: in a digital format or in a USB flash drive that is submitted to you by the end of the event, and in a physical photo album format. The latter isn’t really all that popular given the fact that everything these days is already quite digital but if you want one just out of novelty, then you might as well let your operator know about it already.

The way that you go ahead and brand the photos that are being produced during the photo booth coverage is also very important.

This is particularly true if you are organizing something that will turn out to be a company party or event or something fairly similar to that wherein branding and logo are very important. Make it a point to get that incorporated into what you and your photo booth operator are trying to pull off because again, this is something that people will be taking home with them and they are bound to remember you and your brand if it is splashed right in the bottom of the photo booth take-home pictures given out to them. Get this worked out because your photo booth operator can really incorporate this in the photos.

Props Based On Baby Photography Examples

Props for baby photo shoot

baby photographyIf there is anything that you can take away from the baby photography examples posted on the internet these days, it would have to be the fact that props used in baby photo shoots are pretty trendy and are pretty much in vogue in this day and age. If you want to be creative and to inject some sort of whimsy into your baby’s photo shoot one way or the other, then working with props is the kind of thing that can go ahead and check out at the end of the day. Although props look particularly difficult to pull off, most of the professional baby photographers out there are actually already well versed with the concept or with the idea so you can assure yourself that this isn’t something new to your photographer.

Try to go with someone who is experienced in the field and who really knows what he is trying to do in the first place because it will make all of the difference in the world when it all comes down to it. Familiarize yourself with most of the props being used and how you will be able to use it to your biggest advantage as a parent and as a client in baby photography.

Blankets, scarves, and other pieces of cloth. They are economical and easy to get your hands on. Most of the stores in your area will probably be selling these by bulk and you will always have all of the choices to take your picks from at the end of the day. Here are a few things that you ought to keep in mind when you are looking for great cloth options for you to choose from. The texture should be soft to the touch. Anything that might turn out to be a little too rough could end up chafing the baby and this is the last thing that you would want to do. Wash them ahead of time and get them soaked in fabric conditioner that is friendly to the baby’s skin. Go for the plain ones or for those that don’t really attract too much attention. You want the props to accentuate the baby in the photo, not take attention away from him. Avoid prints of any kind as they can look tacky and just a little too busy at times.

Plush toys

These props and toys are adorable and they are bound to keep your baby entertained. Take note though that these are dust factories so you might want to get them in the washer before you let your little one get a hold of them. Try to keep the plush toys theme related as much as possible so that you don’t end up veering too much away from the concept especially if you and your baby photographer are trying to work with one at some point or so during the baby photo shoot. If you notice, themes and concepts are pretty much the in thing in most of the baby photography examples you see out there so it is important that you keep the plush toys relevant to what you are trying to do and to what you are trying to achieve in the photos that are being taken of the baby.

How To Look Up Formal Training In Photography

formal training in photographyIf you are thinking about taking up photography as a serious career at any point in time, you might want to go ahead and entertain the possibility of gaining formal training in photography. Sure, you might have been delving into photography for the longest time running as a hobby but things will always turn out to be so much more different in the professional industry. Keep in mind that you will have a lot of competition and that there are so many other people who are considered as veterans in the professional photography industry already.

These are the type of people that you are going to need to go head to head with if you aspire to have a career in this said photography industry. If you want to be able to really thrive in this particular industry, then you need to have the right set of skills for something like this. This is a kind of business wherein your service will turn out to be your main commodity which is why gaining the necessary kind of training is crucial to your success.

Get schedule up.

The first thing that you will need to take into account when you’re thinking about going to school for photography is that you should get your schedule set up and arrange for the right way. This is not the kind of thing that you will be able to get into half-heartedly. Photography schools tend to charge an arm and a leg for tuition fees. Most of them don’t offer refunds in case you change your mind. You need to make sure that you will be able to go ahead with this full-time as much as possible. If schedule isn’t your strongest suit and if you can’t control it, you might want to go ahead and opt for an online photography course instead. This will not give you the same kind of guidance and on hand training ask conventional classes but you will still be able to gain basic principles in photography that you will be able to use in your career.

Most of the photography courses available out there we’ll also have a skill levels put in as basic categories.

Make sure that you actually go through the motions of assessing yourself and your skillset ahead of time to ensure that you will always be able to absorb everything that you need to learn about in the first place. Be honest with yourself. Enrolling yourself in a photography course that is far more advanced than your current skill level will turn out to be a major mistake as well as a major waste of money. If you have not taken any photography courses before in your life, it would not hurt if you go ahead and start off with the basic fundamentals. Go with the beginner course is if you have to. Formal training in photography is the kind of thing that you take a step at a time so make sure that you don’t end up biting off far more than you can chew.

Reviewing the Canon EOS 7D Mark II

Canon’s EOS 7D was considered one of the best DSLRs that Canon has ever made as it had a number of great features that made this camera ahead of its class then.

Five years later, as the original 7D has stuck around for quite too long, Canon introduced its successor, the EOS 7D Mark II. Not quite inspired for its name but it seems to at least continue the positive experiences its predecessor first brought. So let’s see how this camera fares in this review.

Features and Design

The Canon EOS 7D Mark II is a 20 megapixel camera with a CMOS APS-C Sensor. It also has Dual Pixel CMOS AF technology of that model, allowing it to smoothly and confidently refocus during Live View and Movies, as well as an 8 channel readout, supporting the faster continuous shooting speed of 10fps and 1080p video at 60p.

It also offers a highly customizable 65 point autofocus system, all of which are cross-type sensors, with the center point sensitive down to -3EV, allowing for better focusing of subjects. It also offers twin memory card slots for more storage. It all adds up to a highly confident DSLR, especially for sports, wildlife and event shooters.

Camera body is pretty much solid and the controls are laid out almost the same as that of the 7D. Its viewfinder is one of the best viewfinders you can find in a DSLR, providing a lot of information you may need. It also has a good LCD screen as well. However, unlike a number of camera LCD screens these days, the 7D Mark II’s LCD is neither a tilting screen nor a touch screen.

As far as connectivity is concerned, this DSLR offers GPS metadata to geotag images captured. However, it does not have a built-in wifi connectivity. You would need to buy either a Canon accessory for wi-fi capability or get wi-fi memory card for instant sharing online.

Feedback

Canon’s EOS 7D Mark II is simply one of the toughest, fastest and most confident DSLRs, especially for sports and action photography. Compared to the first 7D, the Mark II is a huge improvement.

There’s a lot to like here. The headlining 65-point AF system and 10fps continuous shooting really are a powerful combination, especially when coupled with evaluative metering. Configured to deploy intelligent tracking and recognition, the 7D Mark II allows you focus on your subject, meter correctly and effectively track it as you’re firing bursts. It’s also very responsive. If you can get the subject in the frame even for the briefest moment, there’s a strong chance the 7D Mark II will focus and meter for it correctly.

If you are into a great performing camera, especially for your needs in taking a lot of action shots or even for baby photography, the Canon EOS 7D Mark II is worth the consideration.

A Quick Guide to Street Photography

Street Photography is perhaps one of the oldest genres of photography today. It is also a genre of photography that is very much widely seen, whether it is in the newspaper, the internet, or even in the art gallery. And with the popularity of image-sharing sites and social media services like Flickr and Instagram, street photography has become more popular than ever.

It is easy to see why as these photographs provide a visual treat at first glance, only to be hit hard by the message or theme these photos portray as we look closely at them. It is this characteristic that makes street photography compelling.

Street Photography Defined

But what exactly is street photography? Let not the name fool you, street photography is not about taking photos of the neighborhood. Instead, it is defined as a genre that captures scenes depicting the human condition or way of life in a given moment at an outdoor setting. In other words, street photography is about people rather than places.

As with any genre of photography, you don’t just take any photo. In this case, you don’t just take photos of people out on the streets. There is an element of composition that must be in place in the photo. There should be at least a distinct artistry also that the photo should possess.

Despite these rules in place, unlike a wedding photographer gloucestershire, as a street photographer you don’t get to plan what you want to shoot. There are no preparations in place beforehand nor would you make your subject do a predetermined action. In street photography, things just happen and you capture them when they happen. You just rely on your keen sense of observation, timing, and instinct to capture the moments that encapsulate the slice of a subject or subjects’ life at the right time.

The Challenge and Rewards of Street Photography

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This aspect of street photography, admittedly, is something that even experienced photographers still find challenging from time to time. Indeed, it takes experience, skill, and a level of perception to find and compose that right moment on photo.

There is also a matter of possibly getting “caught” in the middle of photography, ruining a moment as well as being a source of embarrassment. One has to learn to be discreet or at least be able to hide the fact that you are trying to take a photo of the subject or subjects in question.

As challenging as this genre is, specializing in street photography provides a sense of satisfaction and reward, especially when you get to capture such moments on your camera and be able to effectively tell the story of the photo based on what you captured.

There is also a level of serendipity street photography provides as you discover elements and themes you never thought about when you captured it. At times, the viewer may see some more things about the photo that you never thought of in the first place, giving rise to different interpretations that would enrich the photograph as a work of art in the process.

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The Photographer as an Artist

With these elements in place, the street photographer is not just a photographer anymore. He has become a visual artist who creates works of art that convey meaning to the viewer. Then again, any photographer can be considered a visual artist too.

In any case, being an artist entails that you have a responsibility to your audience create an output that is of quality and has meaning. Let your photographs convey what you want to express and what story you wish to share even if you don’t explicitly say it. A good photograph tells you all you need to know form that single frame that you captured.

Top 5 Reasons to Have a Family Portrait Shoot

family portraitOur family is one of the most important treasures in our lives. We consider our family as a valuable asset that we are proud of and that we always treasure. We love to bond and have fun with the members of our family. We find fulfillment in being with them and creating memories that we can treasure for a lifetime.

One great way to have fun and make wonderful moments with your family is through a family portrait session. A family portrait session is a scheduled pictorial where a family gathers together in front of a professional photographer’s lens to have their pictures taken. The professional photographer makes sure that the pictures are as brilliant as those taken by John Warren Photography.

This family portrait shoot can be done in any chosen location by the family. You can have it in your ancestral home, at the park, by the beach, in front of a significant landmark or in a place that is dear to your family. It would be best if you can schedule a family portrait session at least once a year so you can see the changes or developments among family members throughout the years.

The family portrait pictures you receive can be hung at the wall or displayed in your living room for your guests to see. You can even keep a smaller copy of your family picture inside your wallet so you can look at it anytime you want.

If you are still not convince of the importance of a family photo shoot, then here are the top 5 reasons for you to have a family portrait shoot.

  1. Boost member’s self-esteem

Your children will surely feel proud to show your family pictures to their family and friends. It will boost their self-esteem and make them feel secure that they belong to a group and that there is always someone who will back them up.

  1. Strengthen the bond among members

A family portrait session can be fun and exciting to family members especially to the young ones. Kids can play after the pictorial while the adults try to catch up among themselves. You can also dine out after the pictorial or go somewhere else special and enjoyable.

  1. Memorable experience to all

You don’t get to do this every day thus a family portrait session is surely special because you only get to do it annually or every few months. Family members are busy with work or their studies so it can be difficult to set a schedule where everybody is available. Once a schedule has been set, you should make the most out of it and for sure it will be an experience worth remembering.

  1. Preserve memories

Family pictures can help preserve wonderful memories. You can look at them and reminisce how awesome it was to be with the people you love. At times when you are far from them, you can simply look at the pictures and feel less sad once you see the smiles on their faces.

  1. Pass identity to next generation

You can show the family pictures to the future generation and it will be like passing the family’s identity onto them. The new generation will see what their descendants look like and they can identify themselves to be a part of this wonderful group.

Having a family portrait session regularly will also show how you give importance to your family. You love to be with them and show to others that you are indeed one, happy united clan.

What are DPI and PPI?

There has been a great deal confusion among many people, even among photographers and those working on digital images as to some of the terms used in digital photography. In particular, we are looking at two of the most often used terms, the DPI and the PPI.

What adds to the confusion is that some in the digital imaging field tend to use these terms interchangeably, something brought about for the most part by a lack of understanding what these two terms are about and what they mean.

This post hopes to enlighten you on what these terms are about for you to be better informed about digital imaging and photography.

Pixels Per Inch (PPI)

If you’re someone who is working with digital images like Martin Pemberton Photography, your primary concern is going to be the image’s Pixels Per Inch or PPI. DPI, which we’ll discuss next, refers to a technical aspect of printing devices which is more of a printer’s concern rather than yours.

So when people say “DPI”, they really mean “PPI” most of the time, and it’s become so much commonplace that annoying as it may be, you just have to put up with it. What’s more important is to know is whether someone talking about DPI really means PPI.

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To better understand PPI, we should know first what a pixel is. Pixel stands for “picture element”. It’s the smallest physical element of a digital display device that the eye can discern. You will see these pixels when you zoom in the photo on your screen; these are the rows and rows of tiny little squares.

Note that pixels are physical things of a fixed size, even though that size itself varies. Thus, the number of pixels per inch (PPI) on your screen is a fixed quantity and cannot be adjusted.

What can be adjusted though are the size of the pixels, making the actual images themselves become bigger or smaller by an adjustment of how many pixels can be accommodated per inch.

Remember though that this is only a relative gauge of quality; if you were to stand further away, the image would appear as clear as it did before. The absolute resolution of the image has not changed as there are still as many pixels relative to the picture as there were before. So if you’re looking to have higher resolution, the only way to go about that is to produce an image with more pixels, not increase the PPI.

Dots Per Inch (DPI)

As was mentioned earlier, if you’re a designer, DPI barely concerns you and your work. Still, it’s an important concept to know what it is about.

You see, printers reproduce an image by spitting out tiny dots consisting of a mix of four colors, Cyan, Magenta, Yellow and Key (black), which combine to create a range of hues by the subtractive color model. There is bound to be some space between these dots, and this is what DPI measures: their density.

For example, if you are printing a 150ppi image at 600dpi, each pixel will consist of 16 dots (600 dots/150 pixels = 4 rows of 4 dots per pixel).

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This matters to the client more because, as a rule of thumb, the higher the DPI, the better the image’s quality. But on the flipside, it will also use more ink and take longer to print, so keep that in mind for printing such images on your home printer. Just to give an idea, 150dpi is generally considered the minimum standard for high quality photos in books and magazines, 85dpi for newspapers, and 45dpi for billboards.

However, higher dpi does not necessarily mean higher quality because there is no standard dot size or shape, meaning that one manufacturer’s dots might look as good at 1200dpi as another manufacturer’s dots do at 700dpi.

As mentioned a few times here before, you have no control over DPIs. But you can refer a client to a professional print shop and have the shop, which will know the specifications of its machines, take it from there, so to speak.

Top 10 Questions You Should Not Miss Asking Your Wedding Photographer

wedding photographerIn a wedding, a wedding photographer is expected to be present. He/she was carefully picked out by the couple to work on this huge task of gathering memories of their special day. Most couples had to do series of interviews before finally deciding on which wedding photographer to hire. The couple asked relevant questions related to the wedding and the answers given by the photographer candidate helped them determine if the photographer is worth hiring or not.

For engaged couples out here who are looking for a professional wedding photographer to hire, here are the top 10 questions that you should not miss asking your photographer.

  1. What packages are you offering?

Photographers offer various packages depending on the budget and needs of the photographer. Compare prices and packages that the wedding photographers are offering and choose one that you like best.

  1. How long have you been working as a professional wedding photographer?

If the photographer has been in the wedding photography Hertfordshire business for several years, then he/she is probably already has the skills needed for the job. Ask this questions and request for proof of experience like pictures or work portfolio.

  1. Who and how many photographers will work on our wedding?

If you are interviewing someone from a large studio, then you will need to ask if he is going to be covering your wedding or will it be someone else. Know also ahead if the primary photographer will be working with another photographer or if an assistant will be there to help.

  1. What equipment will you bring and how many cameras will you use?

A professional photographer will bring 2 or more camera, several lenses, memory cards and spare batteries. He/she will make sure that there is a spare camera to use in case the main one suddenly malfunctions.

  1. How many hours will you take pictures?

You need to know how many hours will the wedding photographer take pictures and when he/she will start shooting. Ask also how much is the overtime charge if there is any.

  1. What wedding photography style do you apply?

There are many wedding photography styles today that wedding photographers can use. But then, two of the most popular today are traditional and documentary wedding photography style. You will have to talk it over with your partner what style you want and ask the candidate if he/she can do it or not.

  1. Do you have albums of past weddings you worked on that I can see?

Request to see some of the images he/she captured on a wedding. Notice how consist the pictures are and how sharp and brilliant (or not) they are. You do not have to be an artist to know whether the pictures are great or not. Just look carefully and trust your instinct.

  1. How many days will it take for you to finish post production?

Some wedding photographers take months to finish post production and deliver your product. You have to know early on how many days it will take the photographer to give you the agreed prints or other products.

  1. Can I have a look at your sample contract?

A sample contract can help you assess how honest and credible the photographer is. Check if the details in the sample are specific and sounds fair to both parties.

  1. Are you available on this date?

Of course, this is among the firsts that you have to ask when interviewing a wedding photographer. You need to know early on if the derby wedding photographer is not yet booked on your wedding date. If he/she is, then you have to interview the next one in your list of potential photographers.

What You Need To Know About DSLR Lenses

When you bought your DSLR, chances are there is already a lens included. Commonly, this lens is called the kit lens and works fine for your regular photography needs. But as you advance in knowledge and skills in photography as that wedding photographer north wales, you realize your kit lens will not be enough for those shoots you need to make.

With that said, there are hundreds of lenses available in the market today to fill those needs. However, the variety of these lenses as far as features and capabilities are concerned can be overwhelming for a newbie photographer to choose which would be best for his/her needs. To make things simple, we have narrowed down the selection to the most common types we think you will need as a photographer.

Ultra Wide Lenses

Ultra wide angle lenses have a focal length of around less than 24 mm (in 35 mm-format), this means they can take in a wider scene than is typical, though they’re not only about getting all of a subject into a shot. Because of this characteristic, they typically have a large depth of field which means images tend to pull in subjects that are close, and push away more distant ones making them appear further apart.  They are typically used inlandscape, architecture and interior photography, as well as other creative uses.

Wide Angle Lenses

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Wide angle lenses have a focal length of between 24 mm and 35 mm, with a wide field of view and often also boast of close minimum focusing distances. Thus, they can magnify the perceived distance between subjects in the foreground and background, providing less distortion ultra wide lenses. They are often used when trying to get the whole of a subject in frame like a building or a landscape, as well as interesting portraits

Telephoto Lenses

Telephoto lenses are those with a focal length above 70 mm, though many people would argue that “true” telephoto lenses are ones which exceed 135 mm. They focus on a much narrower field of view than other lenses, which makes them good in focusing in on specific details or distant subjects. They are generally larger and heavier than equally specified wider lenses. They can also compress elements such that the objects that are far apart in reality from the camera can appear closer together. They are used often to photograph subjects you can’t (or don’t want to) get close to, like sports or wildlife subjects. They can also be used for shooting portraits and even landscapes where their normalization of relative size can be used to give a sense of scale.

Superzoom Lenses

Superzooms are do-it-all lenses which cover focal lengths from wide to telephoto. If you’re someone who doesn’t like the hassle of changing lenses often, superzooms may be for you. The flipside though is that they do not have the same image quality of more dedicated lenses and often have slower and variable maximum apertures.

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Macro Lenses

Macro lenses are the more specialist type of lenses, and they are frequently used to refer to lenses which can be used for extreme close-up photography. Such lenses typically have focal lengths of around 40-200 mm. Because of its close-up functionalities, macro lenses have excellent image sharpness, though it’s worth noting that when working at close distances they also have a tiny depth of field. In addition, they can also be great for portraits thanks to their typical sharpness and focal lengths.

Summary

As we have seen, different lenses can give photographers more freedom and capabilities in shooting different types of images under different settings and situations. Thus, it is important that as a photographer, you should first determine the type of photography that you do and the environments you are in that will help you in choosing the perfect lenses for your camera. With proper care and maintenance lenses are good photography investments that can last longer than even your camera.