What You Need To Know About DSLR Lenses

When you bought your DSLR, chances are there is already a lens included. Commonly, this lens is called the kit lens and works fine for your regular photography needs. But as you advance in knowledge and skills in photography as that wedding photographer north wales, you realize your kit lens will not be enough for those shoots you need to make.

With that said, there are hundreds of lenses available in the market today to fill those needs. However, the variety of these lenses as far as features and capabilities are concerned can be overwhelming for a newbie photographer to choose which would be best for his/her needs. To make things simple, we have narrowed down the selection to the most common types we think you will need as a photographer.

Ultra Wide Lenses

Ultra wide angle lenses have a focal length of around less than 24 mm (in 35 mm-format), this means they can take in a wider scene than is typical, though they’re not only about getting all of a subject into a shot. Because of this characteristic, they typically have a large depth of field which means images tend to pull in subjects that are close, and push away more distant ones making them appear further apart.  They are typically used inlandscape, architecture and interior photography, as well as other creative uses.

Wide Angle Lenses

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Wide angle lenses have a focal length of between 24 mm and 35 mm, with a wide field of view and often also boast of close minimum focusing distances. Thus, they can magnify the perceived distance between subjects in the foreground and background, providing less distortion ultra wide lenses. They are often used when trying to get the whole of a subject in frame like a building or a landscape, as well as interesting portraits

Telephoto Lenses

Telephoto lenses are those with a focal length above 70 mm, though many people would argue that “true” telephoto lenses are ones which exceed 135 mm. They focus on a much narrower field of view than other lenses, which makes them good in focusing in on specific details or distant subjects. They are generally larger and heavier than equally specified wider lenses. They can also compress elements such that the objects that are far apart in reality from the camera can appear closer together. They are used often to photograph subjects you can’t (or don’t want to) get close to, like sports or wildlife subjects. They can also be used for shooting portraits and even landscapes where their normalization of relative size can be used to give a sense of scale.

Superzoom Lenses

Superzooms are do-it-all lenses which cover focal lengths from wide to telephoto. If you’re someone who doesn’t like the hassle of changing lenses often, superzooms may be for you. The flipside though is that they do not have the same image quality of more dedicated lenses and often have slower and variable maximum apertures.

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Macro Lenses

Macro lenses are the more specialist type of lenses, and they are frequently used to refer to lenses which can be used for extreme close-up photography. Such lenses typically have focal lengths of around 40-200 mm. Because of its close-up functionalities, macro lenses have excellent image sharpness, though it’s worth noting that when working at close distances they also have a tiny depth of field. In addition, they can also be great for portraits thanks to their typical sharpness and focal lengths.

Summary

As we have seen, different lenses can give photographers more freedom and capabilities in shooting different types of images under different settings and situations. Thus, it is important that as a photographer, you should first determine the type of photography that you do and the environments you are in that will help you in choosing the perfect lenses for your camera. With proper care and maintenance lenses are good photography investments that can last longer than even your camera.

The Best Canon Lenses for Wedding, Portrait, and Low Light Photography

Do you have a Canon for your DSLR camera? Are you into wedding, portrait, and/or low light photography? Are you looking for a lens that would suit those types of photography are into? If yes, well you are in luck today as this guide will fill you in on the best lenses to use for whatever photography you do, whether it’s wedding, portrait, or low light photography.

Canon EF 50mm f/1.8 II

Canon’s EF 50mm f1.8 Mark II is an ideal choice for portrait and low-light photography on a budget. The 50mm focal length is a little short for classic portrait photography on a full-frame camera, but mount it on a cropped-frame model and it becomes equivalent to 80mm, a perfect length for portraits. Meanwhile, the f1.8 aperture can deliver a blurred background and gathers more than eight times as much light than the kit lenses when zoomed-in. indeed, this camera is for the thrifty-fifty.

Canon EF 50mm f/1.4 USM

Canon’s EF 50mm f1.4 USM is another ideal portrait lens for cropped bodies and a step-up from the f1.8 model above. You get a brighter aperture which at f1.4 can gather 16 times more light. You also get USM focusing which is quicker and quieter than the f1.8 model, not to mention having easier manual focusing and a superior build quality. If you spend a little extra, this lens is a good bargain.

Sigma 50mm f1.4 DG HSM Art

If you want a truly high-end 50mm lens with autofocus, the best choice would be Sigma’s 50mm f1.4 ART lens. In tests, it delivers better contrast and crisper details across the entire frame, especially in the corners. While the Sigma is bigger and heavier than any of the Canon 50mm lenses, it costs only two thirds of the f1.2 making it a no-brainer in comparison, and that’s before you even factor in the ability to switch its mount (at a cost) to a different system should you move from Canon in the future.

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Canon EF 85mm f/1.8 USM

Canon’s EF 85mm f1.8 USM is a classic portrait lens for both full-frame and cropped bodies. The longer focal length allows you to stand a little further away to take wider shots, as well as accentuate the blurred background effect. The f1.8 aperture is sufficiently large to achieve very blurred backgrounds and the USM focusing is quick and quiet. It’s the most affordable Canon prime lens with a large aperture and delivers great quality.

Canon EF-S 17-55mm f/2.8 IS USM

The EF-S 17-55mm f2.8 USM only works on cropped-bodies, where it delivers an equivalent focal length of 27-88mm – ideal for capturing group shots and single portraits. The f2.8 aperture may not be as large as the lenses listed above, but is still sufficient to deliver a nice blurred background, and there’s image stabilization to iron-out any wobbles. An far as wedding photographers like Rowan Watts Photography is concerned, this is the ideal lens for cropped bodies

Canon EF 24-70mm f/2.8L II USM

Canon’s EF 24-70mm f2.8L USM is a favorite of pro portrait and wedding photographers, and is now more popular than ever in an improved Mark II version. It delivers a perfect range on full-frame bodies for group shots and single portraits, and is also great for cropped bodies if wide-angle isn’t important. The f2.8 aperture may not be as bright as the lenses above, but it still delivers nice blurred backgrounds and as an ‘L’ model it features excellent build quality and manual focusing.